![]() ![]() Adapting to this dramatic shift in theatrical delivery, we are completely familiar with the DCI specifications and use compliant hardware and software (DVS Clipster / OpenCube) to create final delivery files. In the United States, penetration is predicted to reach 94% in 2013. By collaborating with our Video Mastering Department, we can deliver complete packages including subtitles, trailers, and various audio mixes.Īs of mid-2012, there were approximately 77,000 out of 137,000 theaters globally - nearly 60% - capable of DCI-compliant digital cinema projection. Familiar with file delivery to all the major licensees, from cable networks to online providers like Amazon, Hulu, and Netflix, we take all the technical confusion out of the new distribution marketplaces and streaming technologies. These days everyone wants their content whenever and wherever they can get it – cell phones, tablets or on whatever device they happen to have in front of them. Video On Demand / Electronic Sell Through Together with our Video Mastering Department, we support complete mezzanine mastering workflows. We meet the needs of today’s content owners by scaling our services and rates for these large-scale projects. We tailor and automate our workflows to match the needs of the specific libraries, including integration with the client’s data infrastructure and metadata architecture. The problem is this material lives back in the world of physical tape or disc media and needs to be matched precisely to the new digital master. A single mezzanine video file can have hundreds of related audio tracks – various stems, languages, and mixes. We transition large libraries and catalogs of audio content from physical media to tapeless workflows. How do you organize your projects? Let us know in the comments below.Post Haste Digital offers a wide variety of services and solutions to meet almost any audio need including: Digital Asset Management You can download Editing Folders for free from Adam Schoales here. If you find that the folders don’t fit your workflow, you can then open Automator and adjust them to your liking. So when you open Editing Folders, you just need to name your project and select where you want to create the folders. By using Automator, you are taking advantage of the Mac’s built-in task automation. Thus, Schoales put together Editing Folders, a Mac-based folder structure that uses OS X’s Automator. Plus I knew that with the built in tools in Mac OS X there had to be an even easier solution. T felt like overkill, and I didn’t really like the way it handled some of the naming conventions. ![]() Editing Folders Image via Adam Schoales.Įditor Adam Schoales personally found Post Haste a little much for his projects. You can download Post Haste for free from Digital Rebellion. That allows you to really narrow down the type of project, from feature films and commercials all the way to web-based micro-documentaries. The added benefit is the ability to create an unlimited number of different templates. Post Haste is compatible with both Mac and PC workflows. That’s great when many different video editors are working on multiple projects - or even several video editors working on one project. These post houses enjoy the file structure - as it’s the same for every project, no matter who is editing. Countless post production houses and video editors use it. Post Haste is certainly one of the most popular options. If you don’t want to create the folders yourself from scratch, you’re in luck! There are some great free programs that automatically generate project folders based on the type of project. There is a great piece on the Avid blog from professional editor Chris Bové on how he structures his projects. With a variety of folders prepped, you merely have to duplicate the folder and rename it with the title of your project. Working on a commercial? Create a commercial master folder with subfolders like footage, audio, music, SFX, logos, graphics, animations, and overlays. Cutting a documentary film? Build a documentary master folder that includes subfolders like footage, audio, music, SFX, and graphics. You can certainly do this on your own by creating a master folder that is set up for various types of projects. This includes where you store your media files (footage, audio, music, SFX, stock images, graphics, and elements) as well as where you save your renders and backups. For video editors, you will become your own best friend when you properly set up folder structures before you start editing. When if comes to working on massive projects of any type, organization is key.
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